Tuesday 6 April 2010

I Wandered Lonely As A Cloud


"I Wandered Lonely as a Cloud" (also commonly known as "Daffodils" or "The Daffodils") is a poem by William Wordsworth (pictured).
It was inspired by an April 15, 1802 event in which Wordsworth and his sister, Dorothy, came across a "long belt" of daffodils. Written in 1804, it was first published in 1807 in Poems In Two Volumes, and a revised version was released in 1815, which is more commonly known. It consists of four six-line stanzas, in iambic tetrameter and an ABABCC rhyme scheme.
It is usually considered Wordsworth's most famous work. In the "Nation's Favourite Poems", a poll carried out by the BBC's Bookworm, "I Wandered Lonely as a Cloud" came fifth. Well known, and often anthologised, "I Wandered Lonely as a Cloud" is commonly seen as a classic of English romanticism within poetry, although the original version was poorly reviewed by Wordsworth's contemporaries.
Background
The inspiration for the poem may have been a walk he took with his sister Dorothy around Glendale, near their house in the Lake District. It may also have been nearby Glencoyne Bay. Wordsworth would draw on this to compose "I Wandered Lonely as a Cloud" in 1804. Dorothy later wrote in reference to this walk:

When we were in the woods beyond Gowbarrow Park, we saw a few daffodils close to the water side. We fancied that the lake had floated the seed ashore and that the little colony had so sprung up. But as we went along there were more and more and at last under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road.I never saw daffodils so beautiful they grew among the mossy stones about and about them, some rested their heads upon these stones as on a pillow for weariness and the rest tossed and reeled and danced and seemed as if they verily laughed with the wind that blew upon them over the lake, they looked so gay ever dancing ever changing.This wind blew directly over the lake to them. There was here and there a little knot and a few stragglers a few yards higher up but they were so few as not to disturb the simplicity and unity and life of that one busy highway. We rested again and again. The Bays were stormy, and we heard the waves at different distances and in the middle of the water like the sea.
– Dorothy Wordsworth, The Grasmere Journal , Thursday, 15 April 1802

The death of his brother, John, in 1805 had affected William strongly. However, the effect of his sister Dorothy was positive, and "I Wandered Lonely as a Cloud" is considered an example of the benefit of her presence. In this respect, "I Wandered Lonely as a Cloud" is like "Alice Fell", "The Beggars" and "The Butterfly". At the time of the poem, Wordsworth lived with his wife and sister at Dove Cottage, in Grasmere in England's Lake District. Life had returned to some normally for Wordsworth.
Lyrical Ballads, a series of poems by both himself and Samuel Taylor Colleridge, had been first published in 1798 and had started the romantic movement in England. It had brought Wordsworth and the other Lake poets into the poetic limelight. Wordsworth had published nothing new since the 1800 edition of Lyrical Ballads, and a new publication was eagerly awaited. Wordsworth had, however, gained some financial security by the 1805 publication of the fourth edition of Lyrical Ballads; it was the first from which he enjoyed the profits of copyright ownership. He decided to turn away from "The Recluse" and turn more attention to the expedient publication of Poems in Two Volumes, in which "I Wandered Lonely as a Cloud" would appear.
Composition and themes
The poem is 24 lines long, consisting of four six-line stanzas. Each stanza is formed by a quatrain, then a couplet, to form a sestet and a ABABCC rhyme scheme.The poem is written in iambic
tetrameter. The fourth- and third-last lines were not composed by Wordsworth, but by his wife, Mary. Wordsworth considered them the best lines of the whole poem. Like most works by Wordsworth, it is romantic in nature; the beauty of nature, unkempt by humanity, and a reconciliation of man with his environment, are two of the fundamental principles of the romantic movement within poetry. The poem is littered with emotionally strong words, such as "golden", "dancing" and "bliss".
The plot of the poem is simple. Wordsworth believed it "an elementary feeling and simple expression". The speaker is riding among the clouds, viewing a belt of daffodils, next to a lake whose beauty is overshadowed:

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
and twinkle on the Milky Way,
They stretched in never-ending line
along the margin of a bay:
Ten thousand saw I at a glance,
tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
in such a jocund company:
I gazed - and gazed - but little thought
what wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

Original version
The version published in the 1807 Poems in Two Volumes ran:

I wandered lonely as a Cloud
That floats on high o'er Vales and Hills,
When all at once I saw a crowd
A host of dancing Daffodils;
Along the Lake, beneath the trees,
Ten thousand dancing in the breeze.
The waves beside them danced, but they
Outdid the sparkling waves in glee: -
A poet could not but be gay
In such a laughing company:
I gazed -- and gazed -- but little thought
What wealth the show to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.

Wordsworth replaced "dancing" (4) with "golden"; "Along" (5) to "Beside"; and "Ten thousand" to "Fluttering and" to create the 1815 revision. He then added a stanza between the first and second, and altered "laughing" (10) to "jocund". The last stanza was left untouched.